All of me jazz standard top recordings

Hi, I'm Brent Vaartstra. Learn Jazz Standards is a blog, podcast, and videos geared towards helping you become a better jazz musician. Over the past decade I've helped hundreds of thousands of musicians just like you improve their jazz improv skills, and shorten the learning curve. Let's get started! You have a great approach to teaching this stuff, very inspirational and explained in a clear and logical fashion.

The challenges are difficult enough to get me practicing but not overwhelming. Keep up the good work! This course is a game-changer for me! Watching videos on YouTube, I'd feel like the content was either too easy or too difficult. Brent's course allows me to practice at my own pace and improve step by step, without ever feeling stuck or lost.

Whether you need help getting started playing jazz or are ready to deep dive into one of our intensive practice programs, we've got you covered.

all of me jazz standard top recordings

Thousands of musicians from all around the world, playing all kinds of instruments are getting massive results from our online courses and eBooks. I really like the training approach in this material! It is fun and challenging to learn. Furthermore, the extra video course is really motivating to keep you going and practicing. Thanks, Brent! I have already recommended it to a friend of mine that plays piano.

I love the fact that you can click on the sheet music to get the sound. You are doing a great job, Brent, keep it up! It really is the ticket to improving many of the nuances and intricacies of playing jazz. On top of this, you get 30 lessons with the course. Thanks again!

If you need help knowing which jazz standards to learn, our top 50 list is a good place to get started! If you're looking for an ultimate guide on jazz improvisation and leveling-up your jazz skills, look no further! Jazz theory can seem complex and difficult, but it actually doesn't need to be so hard.

This ultimate guide will teach you everything you need to know to get started. Using scales to improvise can be helpful if done correctly.Copyright - JazzStandards. My Funny Valentine The show opened at the Schubert Theater on April 14,and ran for performances.

That is to say, this is the first time that they wrote the book dialog as well as the music and lyrics. Noah Baerman - Jazz Pianist and Educator. From the last chord, it is an easy return to C minor. Chris Tyle - Jazz Musician and Historian. Getting Started. Music and Lyrics Analysis. Jazz History Notes. Reading and Research. Soundtrack Information. Origin and Chart Information. Video Playlist. More on Mitzi Green at JazzBiographies. More on Richard Rodgers at JazzBiographies. More information on this tune Will Friedwald Stardust Melodies Pantheon; 1st edition Hardcover: pages This book contains 25 pages on the song--its history, analyses of the music and lyric, performers, recordings, and information on the songwriters.

See the Reading and Research page for this tune for additional references. Chet Baker and Miles Davis are the two trumpet players most closely associated with the cool jazz movement, though for Davis that is but one of the many subgenres in which he was a major influence.

Baker recorded the tune several times instrumentally, but it is his first vocal version My Funny Valentine that proved to be a landmark moment both for him and for the song. His Carnegie Hall performance My Funny Valentine was also noteworthy, helping to signal the new sound of his groundbreaking s unit. McElrath - Musicologist for JazzStandards. Thomas S.

Hischak The American Musical Theatre Song Encyclopedia Greenwood Press Hardcover: pages 1 paragraph including the following types of information: summary, lyric analysis and music analysis. Will Friedwald Stardust Melodies Pantheon; 1st edition Hardcover: pages 25 pages including the following types of information: history, lyric analysis, music analysis, performers, recordings and song writer discussion. Comment Policy Your comments are welcome, including why you like this tune, any musical challenges it presents, or additional background information.

Jazz musicians, fans, and students of all ages use this website as an educational resource. As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed. Once submitted, all comments become property of JazzStandards. By posting, you give JazzStandards. More on This Tune.

Audio samples are below the video player. Bill Evans And Jim Hall.This is an A—Z list of jazz standards. It is intended to be as comprehensive a list as possible, including those pop standards and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire.

For a chronological list of jazz standards with author details, see the lists in the box on the right. Entries in italics are alternative titles for songs that appear elsewhere on the list. From Wikipedia, the free encyclopedia.

all of me jazz standard top recordings

Wikipedia list article. What Can I Say After Are You Havin' Any Fun? Has Anybody Seen My Gal? Have You Heard? Have You Met Miss Jones? How About You? How Deep Is the Ocean? How High the Moon How Insensitive orig. Isn't It Romantic? Bojangles Mr. James Infirmary Blues St. Why Don't You Do Right? What Is There to Say? What Kind of Fool Am I? Why Was I Born? Jazz portal Lists portal. Musical repertoire. Categories : Jazz standards Lists of musical works Jazz-related lists.

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all of me jazz standard top recordings

Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Before The jazz albums listed below are among the greatest ever recorded.

Mostly selected from the golden "modern" jazz music era of 's to the 's, these recordings captured the great passion and emotion that these musicians spent a lifetime developing.

This may be because this unrehearsed recording session from marks a great turning point in jazz history as well as showcasing the top form of some legendary musicians. Miles showed up to the Columbia recording studio with some rough melodies and chords jotted down on paper and the band proceeded to track each song in one or two takes.

That's how Miles liked to do it, he made sure the music was spontaneous and in the moment. This album also marked a departure from the traditional bebop style with songs that are simple melodies over simple chord progressions leaving room for the deep improvisational exploration.

What a treat it is to listen to time and time again. Instead of showcasing the complex and dense harmonic language in a post-bop style developed with Miles Davis and Thelonious Monk, Coltrane blows over simpler chords freely with a raw spiritual passion. The four songs on this album convey emotions of anger, joy, sadness, ecstasy, tragedy and triumph. Many types of artists, such as writers or painters, use this album to inspire energy and passion from within themselves for their own personal art.

This album also marked a turning point in Coltrane's playing as he ventured into performing music from it's deepest, most spiritual roots rather from a his previous technical perspective. Time Out - Dave Brubeck Dave Brubeck created a masterpiece which became the first instrumental jazz album to sell over a million copies. This album had a strong influence from Eastern European culture as Brubeck used many of their rhythms and time signatures. The complex rhythms he uses sound unique yet very natural and easy to listen to, probably the reason for it's success.

It was and many big bands were struggling due to the rise of bebop and modern small group format. So at the 3rd annual Newport Jazz Festival, Ellington attempted to please the crowd with some new suites and arrangements, but the crowd was still sedated. Then finally on a two-section song, Dimuendo and Crescendo in Blue, Duke had the two sections connect with a sax solo by Paul Gonzalves and allowed him to play the solo as long as he felt like playing.

He only usually took a couple choruses but this time Gonzalves took a 27 chorus solo that eventually had the crowd off its feet and dancing! This historical moment changed the face of jazz and also gave Ellington's band some new success.

Duke's band continued performing from this newfound popularity for 18 more years. It is an all star lineup of Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach; all who were prominent in the development of bebop about 15 years beforehand and thus were all seasoned veterans by the time of the concert.

This is the only recording of these five legends playing together and everyone plays brilliantly.Copyright - JazzStandards.

All of Me As the story goes, the singer had just lost her husband, and, struck by the personal sense of loss conveyed in the lyrics, broke down weeping during a performance. The national press picked up the story and before long the song was a hit. It entered the pop charts in January of and rose to the number one position where it held for three weeks.

All told, the hits included:. Noah Baerman - Jazz Pianist and Educator. The bar introductory verse is almost never sung; its lyrics add little and almost seem to ramble in relation to the succinct word refrain.

Benny Carter, alto saxophonist, trumpeter and arranger, was among a group of talented musicians for whom leading a big band became a financial disaster Bunny Berigan, Jack Teagarden and Bobby Hackett, just to name a few, suffered as well.

He later arranged, wrote and conducted for films and television. Chris Tyle - Jazz Musician and Historian. Getting Started. Music and Lyrics Analysis. Jazz History Notes. Reading and Research. Soundtrack Information. Origin and Chart Information. Video Playlist. The press picked up the story and before long the song was a hit. More on Belle Baker at JazzBiographies.

More on Seymour Simons at JazzBiographies. More information on this tune See the Reading and Research page for this tune for additional references. Where we might expect to hear a II7on its way to V7, the composer instead uses a iv, sometimes played as a ii7 b5. Since the melody here lands on the flatted sixth degree of the scale Gb in the original and the chord of the moment is preceeded by a VI7 its own V7chordthere are virtually no other chords that would work in this spot.

McElrath - Musicologist for JazzStandards. Benny Carter Benny Carter, Classics Additional information for "All of Me" may be found in: Thomas S. Hischak The Tin Pan Alley Song Encyclopedia Greenwood Press Hardcover: pages 1 paragraph including the following types of information: film productions, lyric analysis, history and performers.

Henry Martin Enjoying Jazz Schirmer Books Paperback: pages 2 pages including the following types of information: music analysis, performers and jazz solo transcription. Comment Policy Your comments are welcome, including why you like this tune, any musical challenges it presents, or additional background information.

Jazz musicians, fans, and students of all ages use this website as an educational resource. As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed.Enter our contests with a single button click and win a chance at albums or concert tickets. Contest Guidelines. From legendary labels like Blue Note and Verve to independent imprints, vote for your favorites. More Polls. Pivoting to support jazz musicians and presenters around the globe.

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all of me jazz standard top recordings

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Louis Armstrong - All of me

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Gentle Beacons Tim Shaghoian. Speakin' Out New Stories. Just Coolin' Art Blakey.Copyright - JazzStandards. All the Things You Are As a result of horrible reviews, the Alvin Theater was almost empty on the second night. But apparently the public was not put off by the complexity or sentimentality, as evidenced by its appearance on the pop charts for 13 weeks beginning in with the Tommy Dorsey Band peaking at the number one position.

The film is overblown and poorly crafted. Film critic Steve H. A student can learn a great deal of knowledge about harmonic progression e.

50 Jazz Standards You Need To Know

But this does not mean that you find a Bach style of melody and counterpoint in this tune, unless you make it yourself as own inventions, which is done very often. Also, the tune does not have 32 bars, but 36 bars. The song does actually lend itself to Baroque-type counterpoint quite well. However, Zinsser is correct in that this piece does shift tonal centers quite frequently one of the challenges in analyzing this piece. And yes, this tune indeed contains an extra four measures.

Because of its construction, this tends to go unnoticed. Noah Baerman - Jazz Pianist and Educator. Tenor saxophonist Coleman Hawkins was, along with Tatum and Artie Shawamong the first jazz musicians to recognize and record many tunes that have become standards. That same year pianist Erroll Garnerin one of his first recording sessions, cut a double-sided 78 version of the tune. Chris Tyle - Jazz Musician and Historian.

Getting Started. Music and Lyrics Analysis. Jazz History Notes. Reading and Research. Soundtrack Information.

Free Chord Changes for this Tune. Written by the Same Composer s.

All About Jazz

Origin and Chart Information. Video Playlist. More on Jerome Kern at JazzBiographies.


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